Up to date information about children's entertainment – film, TV, DVD and more…. from founder and president of KIDS FIRST! Ranny Levy

Wilbur Moms – Who’s Behind the Show?

January 10th, 2008

If you have not discovered “Wilbur” on Discovery Kids, you’re missing something. “WILBUR” is designed to help preschoolers develop early reading skills by increasing their print recognition, their oral vocabulary and their listening comprehension. It shows actual text onscreen which helps kids learn that print on a page symbolizes words, that these words tell a story and that the pictures shown represent what the words say. In each episode, Wilbur (the animated calf star)and his barnyard buddies find themselves in a new situation or dilemma that is solved by searching for solutions in books. Unlike other literacy-based children’s shows, “Wilbur” demonstrates concepts such as reading from left to right across the page and from top to bottom. Wilbur also points out how you turn the page to read the next page and points to the words with his hoof as he reads so you child may read along.

Kudos to the show’s creators, Jill Luedtke, Kim Anton and Tracey Hornbuckle – three San Diego are moms who recognized the need to develop early literacy skills in young children from their own experiences with their kids and were driven to venture into the world of television production – no small feat. Last week, I had the pleasure of visiting with Jill, Kim and Tracey an asked them about their experience and their success. Here’s part of our conversation.

RL: Congratulations on the success of your series, “Wilbur.” I’d like to talk with you more about your show that aired in December, “The Wright Stuff/The Broken Toy” which celebrates the Wright brother’s first flight at KittyHawk. Is this show based on a particular book or story? Why did you choose this?

JKT: Every “Wilbur” episode is based around a particular situation and how to solve the problem. In this one, the issue is “how to fly.” This book is about the Wright Brothers and Wilbur and Dasha represent the brothers. The story also addresses the idea of not giving up and persevering. It is not based on a particular book – all the books we create for “Wilbur” are fictional and it’s our dream that they will be released in book format sometime in the near future. They’re all written in rhyming cadence and beautifully illustrated.

RL: The three of you developed this show which now airs on Discovery Kids. Tell me about your backgrounds. I have read that you’re three moms. Are you educators? Librarians? What is your professional background? What possessed you to develop a TV show? That’s no small feat.

JKT: We have varied backgrounds. Kim has a degree in marketing. She worked in the financial industry for a major bank and had nothing to do with kids’ TV except that at the time we started this except that she had three daughters ages eight, four and one. Tracey worked in advertising and sales. She worked for The New Yorker Magazine selling advertising. This, in the long run helped us to persevere. Jill is an attorney. She didn’t know anything about the children’s business. She helped us to “not be afraid” and to be ready to meet with anyone at any time. One funny thing is that a lot of people would meet with us because they weren’t intimidated by us. After all, we were just three moms with no experience. Then, we hooked up with Andrea Blain, our publicist, about ten years ago and she go us amazing press for our original series of three video titles. What got us into a lot of the children’s entertainment offices was the press that we generated through Andrea’s efforts. I think they asked, “how did these moms get this press?” Jill is an amazing researcher and she took on researching the literacy side of the show. That led us to establishing a relationship with a lot of academics. We think of Jill now as our “preschool teacher” because of all the research she has done. The joy of working with Discovery Kids is that they “got” our vision and allowed us to be involved in every aspect of the series. We feel Discovery Kids is a perfect home for “Wilbur” because Ready Set Learn is commercial free and sponsor free. As we went through the journey, we said “no” to a number of potential partners because we didn’t think they understood our vision. Our lawyer thought we were crazy but, it’s turned out well.

RL. Discovery Kids has a great online site that describes the educational goals of “Wilbur” which I’m going to recommend to our readers. Tell me, do you think the program has been successful? How you gauge the program’s success.

JKT: A lot of people contact us through our website and we have yet to get a negative comment! They tell us that their two- or four-year-old loves it and carries books around the house. Discovery Kids tells us that with “Wilbur” in the Ready-Set-Learn block, they’re seeing an increase in viewership. It also airs in Canada on CBS, and in Latin America in Spanish and Portugese. Our biggest cheerleader is Amy Sprecker who we met prior to signing with Discovery Kids. She and Erin Wanner are executive producers. Marjorie Kaplan, who’s in charge of Discovery Kids and is the executive in charge of production is amazing and bought into it right away.

RL: Tell me more about your future plans are for “Wilbur.” Are the three of you, either together or separately working on any new shows? Is there anything you can tell us to look for?

JKT: Yes, we are planning “Wilbur’s” second season. In February, Discovery Kids (distributed by Genius Products) is coming out with a compilation DVD that will have “Wilbur” included with other titles. We have some other things in the works but it’s too early to talk about. The one thing that is certain is that whatever we do will promote literacy. We feel that we just got a little bit of a breather; we just finished the first 26 episodes in the summer then jumped into the PR and publicity.

RL. What advice would you give to producers who are yearning to pitch a show to Discovery Kids or any network? What did you and your team find out that you wish you had known before you started?

JKT: We’ve been asked this before. We attribute our success to the four G’s – a Great idea, Girlfriends, Guts and God. Faith in God helped us through a lot of it. We did a lot of research such as watching the credits at the end of all the preschool shows on TV. Then, we’d try to contact them. There was a common thread. We would read a KidScreen Magazine and see that Nelvana had three of the top four shows listed. Then, we say, let’s go talk with Nelvana. And, we would. Every time we met with someone, such as the creators of Barney, we’d always ask them if there was anyone else they would recommend. People who we talked with ten years ago are in great places now. If you are passionate about your idea – you can find a way. A lot our “no’s” made us assess our idea and we learned to stay true. We would try to analyze and take little bits of wisdom from every meeting and go forward. If you don’t have the money yourself, finding an added value partner who can do the production and can fund it themselves can be a huge help. Raising the money is the single hardest thing. We’re glad we didn’t know when we started that it would take ten years. Sometimes you don’t need to know how hard the work is or you wouldn’t even start it. When you look at contracts and all the legal stuff you need – it’s just so hard. We got a great entertainment attorney early on. That helped us a lot. David Mitchell, the creator of Jay Jay gave us that advice when we asked him, in hindsight, what was important.

The players are so big because it’s all about the bottom line. But, like Don Quixote, you have to focus and persevere. We haven’t tapped into it yet, but I believe there are ways to build a business like this on the internet. But, if you want to participate in the broadcast world, then you have to play their game. The Canadians are very helpful, they subsidize shows.

RL. Where are the three of you based?

JKT: San Diego, CA. http://www.wilburtv.com/

“WILBUR” is a production of Mercury Filmworks, in association with Chilco Productions, EKA Distribution, Canadian Broadcasting Corporation and Discovery Kids.

READY SET LEARN! is an award-winning, commercial-free programming block with a curriculum that acknowledges preschoolers’ innate curiosity and is designed to foster optimism and resilience in their expanding exploration of the world. It airs on both the Discovery Kids Channel and TLC. Discovery Kids Channel lets kids of all ages (from preschoolers to tweens and teens) explore their world from their point of view. This 24-hour digital cable channel provides entertaining, engaging, and high-quality real-world programming that kids enjoy and parents trust. Every day, kids can learn about science, adventure, exploration and natural history through documentaries, reality shows, scripted dramas and animated stories. Garnering multiple Emmys as well as awards for quality children’s television, Discovery Kids is committed to satisfying kids’ natural curiosity about… well… everything.

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NAPPA Awards for 2007

January 7th, 2008

National Parenting Publications Awards (NAPPA) 2007 winners of its Children’s Products Competition for the best DVDs, music, toys, books and magazines, software and video games and storytelling CDs have been announced.

All 95 products earning the coveted NAPPA Gold Award, and 171 products earning the NAPPA Honors Award, have been published in a holiday gift guide checklist, Great Gifts for Kids, now available at http://www.nappa.parenthood.com/.

I and several of our senior KIDS FIRST! jurors evaluate for NAPPA’s DVD awards. This year was, without a doubt, the most difficult year ever as we received an overwhelming number of outstanding titles. For the first time, we separated major studio titles from independent titles, giving the independents an opportunity to compete with their peers.

The 2007 NAPPA Gold Medal DVD Winners Are

For Infants and Toddlers

Baby Einstein: My First Signs
Classical Baby 3-Pack: Music, Art & Dance
Phonics 4 Babies: Baby’s First Words
Way to Go, Juno

For Preschoolers
Angelina Ballerina: Angelina Follows Her Dreams
Caillou’s Playschool Adventures
Disney’s Little Einsteins: Legend of the Golden Pyramid
Maggie and the Ferocious Beast: Somewhere in Nowhere Land

For Ages 5 & Up
Arthur and the Invisibles
Eloise Goes to School
Gustafer Yellowgold’s Wide Wild World
Suzi Shelton Live at Southpaw

For Ages 8 & Up
Flight 29 Down: Vol. 1
Going to School in India
Hannah Montana: Pop Star Profile

For more information, visit: http://www.parenthood.com/articles.html?article_id=9887

DVD Gold Winners:
http://www.parenthood.com/articles.html?article_id=10857

DVD Honor Winners:
http://www.parenthood.com/articles.html?article_id=10863

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Report from American Academy of Pediatrics on Early Exposure to Movie Smoking

January 7th, 2008

The American Academy of Pediatrics released a report today suggesting that exposure to images of smoking in films early in life influence children’s choice to smoke when they become adolescents. In “Longitudinal Study of Viewing Smoking in Movies and Initiation of Smoking by Children,” researchers at Dartmouth Medical School interviewed children, ages 9 to 12, from 26 schools in New Hampshire and Vermont on what movies they had seen. Results from the baseline interview showed that each child already had seen an average of 37 out of 50 popular movies they were asked about, exposing them to an average of 150 smoking occurrences. About 80 percent of the children’s exposure was due to smoking images portrayed in youth-rated movies. Follow-up surveys assessing new exposure to movie smoking and smoking initiation were then administered to the children at two subsequent one-year intervals. By the second follow-up survey, 9.6 percent of the children had initiated smoking. The results indicated that the baseline measure of movie smoking exposure was as important as exposure measured at follow-up in predicting children’s smoking initiation, suggesting that the process which leads children to initiate smoking begins much earlier than adolescence. Overall, movie smoking may contribute to future tobacco use in at least one-third of elementary school-age children. For more information, contact Linda Titus-Ernstoff, PhD, at 603-653-3696, [email protected] ]

In a related study, “Exposure to Smoking in Internationally Distributed American Movies and Youth Smoking in Germany: A Cross-cultural Cohort Study,” researchers found that smoking in internationally distributed U.S. movies predicted the likelihood that German adolescents would try smoking. The results mirror similar studies linking smoking in movies with U.S. adolescent tobacco use.
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Netflix to Deliver HD Movies Through Broadband

January 5th, 2008

Have you hears that Netflix is partnering with LG Electronics to develop a broadband enabled set-top box that will deliver HD movies from the PC to the TV. Netflix, with 7 million subscribers who collectively watch more than 10 million movies and TV shows via Netflix’s “Watch Instantly” is destined for to success. Similar set-top boxes offered by Apple Inc., Vudu Inc. and Akimbo have not been successful. We will see…

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Loved P.S. I Love You

January 4th, 2008

Kudos to romantic comedies. My 34-year-old daughter worked on the film, “P.S. I Love You” which was released theatrically a couple of weeks ago. In honor or her birthday, I went to see it last night at our local cinemaplex. Loved it. Hillary Swank plays a young widow, crushed by the lost of her handsome, funny, passionate and thoroughly-in-love with her husband Gerry played by Gerard Butler. Out of the blue, on her 30th birthday, she receives what is to become the first of 10 letters from her deceased husband designed to help her deal with her loss and start a new life for herself. Before he died, Gerry wrote these letters, knowing firsthand how she would deal with his passing and her life without him. As the weeks and seasons pass, more letters from Gerry appear, often delivered in strange and mysterious ways. One sending her off to sing Karoke, another to Ireland. Holly’s tough love mother is played by Kathy Bates, her best friends by Gina Gershon and Lisa Kudrow. They’re concerned that Gerry’s letters are holding Holly back from moving forward with her life but in truth they manage to accomplish exactly what he planned. Bring a bundle of tissues with you to see this. I found myself sitting there with tears streamiing down my face in the final minutes of the film. Overall, it’s a sweet message about love and letting go, about believing in yourself and pursuing your dreams all enhance to a wonderful soundtrack that I’ve got to order today!

It’s rated PG for sexual references and brief nudity. A man and a woman argue while they are in their underware. There is a brief male striptease and implied sex. There is a scene in a gay bar and wearing little clothing. A scene shot from behind of a man naked. A man and woman have a one night stand. There is profanity. There are many scenes with alcohol use.
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UK Bans TV Ads for Junk Food

January 3rd, 2008

In an effort to combat childhood obesity, UK communications regulator Ofcom has officially instituted a band on TV ads for junk food, that is foods high in fat, salt, sugar and the like, on kid-targeted TV channels and between all kid’s programs, in this case kid-targeted is defined as TV for kids under 16-years-old. Under the new rules, TV shows are designated as for kids if the audience is comprised of a high percentage of viewers under 16 years. Broadcasters believe that this move will have the negative impact of preventing them from creating and producing quality programming because of the loss of ad revenues, which have been estimated to be upwards of US $80 million. Meanwhile, health conscious groups, who mark this new rule as a victory, continue to lobby for no junk-food ads at all on TV before 9p, and that these new rules don’t cover family-targeted shows, while others point out that junk food ads will continue to reach kids via other avenues such as the internet. This move follows the April 2007 ban on junk food ads in TV shows aimed at K7-9. A review of these new TV ad restrictions will be reviewed towards the end of 2008.

Britain implemented a ban on junk-food ads during TV shows for minors. The ban applies to 1) “foods high in fat, salt and sugar” and 2) shows that attract a “significantly higher than average proportion of viewers under the age of 16.” This follows a previous ban that applied to kids 9 or younger. The government also “plans to ban the use of celebrities and characters, such as cartoon heroes, to advertise unhealthy food.” Rationale: Controlling child obesity. Britons’ objections: 1) The ban doesn’t go far enough, because it doesn’t cover adult-oriented shows that some kids watch. 2) It should cover all shows that air before 9 p.m. 3) The government caved in to the financial greed of broadcasters and “the food industry.” (Related: The battle against junk food; the war on soda; regulating salt; the worst privacy invasions of 2007.)

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