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BLIZZARD OF SOULS

A cinematic masterpiece and the Oscar submission from the Baltic nation of Latvia, Blizzard of Souls will take you through a rollercoaster of emotions while providing you with a thorough history lesson! With echoes of 1917, Blizzard of Souls has masterful editing and cinematography, incredible sets and locations, and a talented cast, but falls a bit short on explaining major events in the First World War.

KULTFILMA took inspiration from true events and the novel by Grins to create Blizzard of Souls, which follows a teenage boy named Arturs Vanags in Russian-controlled Latvia (around the 1910s). Arturs' father was a highly decorated commander of a regiment of the Latvian army, and his brother Edgars is focused on carrying on that legacy. He's not exactly a fighter, but when his mother is killed by the Germans, Arturs, his brother, and his father conscript in the national Latvian Riflemen battalions of the Imperial Russian army in hopes of getting revenge and finding glory. He experiences many loves and losses in battle, after which he, among other soldiers, grows weary of the Tsarist cause and feels forgotten. Arturs must decide whether to stay with his regiment or defect and join his comrades in fighting the Latvian War of Independence and start his life all over again. As you can see, there's a lot happening in the film, and it's an intriguing plotline. Though I am a history buff, I'm not at the top of my game when it comes to Latvian war history, so I was really hoping for some time or battle markers; all of the battles seemed to blend together, save for the final conflict Arturs is involved in - the Battle of Cesis.

The cast and crew shine in this Baltic beauty. Oto Brantevics and Raimonds Celms play the brothers Vanags, with Oto as Arturs and Raimonds as Edgars. Raimond is a more experienced actor, but Oto really shines in his performance, with perfectly toned emotions and dialogue. Their on-screen father is played by Martins Vilsons, whose cerebral, tough personality gives way (at the perfect time) to paternal love. And the Vanags' friends in the film, Mikelsons and Konrads, are played by Jekabs Reinis and Gatis Gaga, who excel in their supporting roles with pointed humor and emulating the characters' focused, yet free personalities. Behind the scenes, Dzintars Dreibergs directed the film meticulously, with a keen eye on historical accuracy and believability. The music in the film, which majestically introduces and drives the action in each scene, was composed by Lolita Ritmanis. The soundtrack is definitely one of my favorite parts of the film. Another beautiful element of Blizzard of Souls is the cinematography by Valdis Celminš; viewers can tell that each shot was thoughtfully planned out. There is a large part of one battle sequence that was shot and edited in one take, which really helps the speed of the film.

The message of Blizzard of Souls is one of growth; Arturs grows from a young boy to a mature hero throughout this film and has to make many tough decisions along the way. It's a positive and relatable message, as we all grow as people throughout our lives. There are some scenes for parents to watch out for though; there's a lot of blood and gore, some nudity and profanity (given the culture of trench warfare).

I give Blizzard of Souls 5 stars out of 5 and recommend it for ages 14 to 18. Adults will enjoy this film as well. Blizzard of Souls is out in theatres and on DVD now!

Reviewed by Eshaan M., KIDS FIRST! Film Critic, age 14

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Based on true events and the novel by Aleksandrs Grins, which was forbidden in the USSR, the film follows a coming-of-age story of a sixteen-year-old Arthur. After the loss of his mother, he enlists to fight in WWI with dreams of becoming a hero, but after surviving the brutalities of trench warfare and the loss of his family, he wonders if his efforts in battle were futile and if hope is only to be found in rebuilding a family and a home as Latvia itself is born from the atrocities of war.

BLIZZARD OF SOULS was directed by Dzintars Dreibergs and written by Dreibergs and Boriss Frumins. The film was produced by Inga Pranevska and Dzintars Dreibergs for KULTFILMA, and associate produced by Gatis Sniedzinš. Ilona Bi vska serves as International Producer. It was edited by Gatis Belogrudovs and composed by Lolita Ritmanis.