The plot's not unique, but the writers produce an atmosphere in this script that sets it apart. Shot in Mumbai City, India, we roam through the streets and are allowed to observe the people, their traditions, their homes and their work establishments. The dialog is in English much of the time but at times in Hindu with English subtitles which immerses you further into the culture. Irrfan and Nimrat's characters have their own stories that are spectacular to watch and, once these characters start writing to each other, we see a whole new side to both.
My favorite character is Mr. Saajan. Khan creates this man who reaches out to someone who he does not even know. His role is heartbreaking to see and you feel the emotions he is experiencing. For anyone who has lost a loved one, you can really identify with his emptiness.
My favorite scene is when Mr. Saajan is watching a show that his wife had taped. He remembers watching her and watching the show that made her laugh. You see his face change as he understands the joy she got from the comedy. We see how, a moment that brought joy in the past can still bring joy now, only in a different way.
The message in this story is, "Sometimes the wrong train can bring you to the right station." Lla is unsure what to do when she realizes the lunchbox is going to a perfect stranger. Mr. Saajan is not sure what to do when the notes start to touch his heart. So they both feel they are on the wrong train.
I give this 5 out of 5 stars and recommend this to age 11 to 18. There is use of cigarettes and subject matter that is not appropriate for younger audiences. Check it out to see what I'm talking about. Keefer C. Blakeslee, Age 13, KIDS FIRST! Film Critic.
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Kid Critic video review by KEEFER CARTEEN |