Ages 5-12 Titles from KIDS FIRST!

While the film's production quality exhibits some inconsistencies, particularly the fluctuating audio in outdoor scenes, the sheer weight of the experience transcends these technical limitations. The emotional impact remains immense, often leaving the viewer breathless. Some of the visuals are undeniably heartbreaking, and as we listen to the candid reflections of the students and parents, we witness the profound and lasting effect this visit has on them. The film powerfully brings the stark reality of Auschwitz into sharp focus, allowing us to grasp, on some level, the unimaginable suffering endured by those imprisoned and lost within its walls. It serves as a vital and urgent reminder of the imperative to ensure that such atrocities are never repeated.

What I love about student films is the quirky storylines they come up with. This one is unique and not one I have seen before.

The film is well executed, with some lighting issues - especially for interior shots. The use of the clock shows the passage of time. The two boys who are the only characters in the film, are friends, and discuss the book together, trying to figure out what it means. They are well played and the camera follows them from house to walking to the park, and elsewhere. I like the synchronized fall into the swings at the park. The ending is abrupt and appropriate - the book ends with the one boy's death and it's not clear if that is what happens here, which leads to a suspenseful ending.

Resilience is paramount to survival and love from family and friends keeps us going.

Thank you Austin Geiger for an encouraging short film. We look forward to seeing more from you.

This student made film, by sixth grader Austin Geiger, is well producer with clear video and audio and terrific editing. Kudos to Austin for his excellent work. I particularly enjoyed listening to the different experts lending information about the alpacas and, of course, meeting the alpacas themselves. They are so cute!

The film's message is informational - teaching us all about alpacas.

The story follows a girl with anxiety disorder who tries to break out of her shell by going to a party, but once she gets there - everything seems to be at odds with her reality. She escapes to the bathroom and just as she's freaking out, a woman she met earlier walks in, hands her a tissue for her tears and things take a 180 degree turn.

The 2D animation is well executed with intense colors that emphasize the girl's moods. I felt anxious just watching it. I think this is very relatable for college or even high school students and it does offer some hope at the end. Sometimes all we need to get us out of our heads is a friend. In today's world, so many young people have suffered from the result of isolation - going back to the social distancing during COVID-19 - and to some degree, lost their social skills. Finding ways to connect with others, starting with someone handing you a tissue when you are crying, is a great first step.

The film's message is about the need for human interaction.

The story begins with a little boy explaining what ego and waste management are. Then a grandma that sews old clothes into new things makes some items for the boy's mom. The grandma's niece steals a shirt that she really likes, but the grandma finds out and takes it back. The girl is mad but the grandma finds a solution. This is from India, with dialogue in both English and Hindi, and English subtitles as needed.

The story flows well and makes a lot of sense. I like how the girl changes the most. At first she is mad at her grandma because she would not allow her to do anything, but in the end she is happy. I was empathetic with the girl because she really liked the shirt but she could not have it because it didn't belong to her. But, grandma finds a solution. The images are very clear and easy to identify. As a live action film it is very realistic and kid friendly. It invites the viewer to problem solve, especially the girl's conflict with wanting something she can't have. We observe grandma's problem solving solution as she makes both people happy. It teaches us a bit about Halduwala culture and the importance of recycling as a way to protect the environment.

The film's message is about the importance of taking care of the environment and how recycling helps do that.

The storyline is about a 9-year-old boy, Rodrigo (Anthuan Diaz Guerrero), with a great talent, in that he can hold his breath for an extraordinary time under water. A great opportunity arises for him to enter a freediving competition. However, nothing is free, and he has to face an obstacle that is essential for his future. The dialogue is in Spanish with English subtitles.

What a beautiful production all across the board! The cinematography stands out, capturing the beauty of the Sea of Seven Colors on San Andres Island, Colombia and it explores the sport of freediving. It reminds us of the beauty of marine ecosystems and the importance of preserving them. Anthuan Diez Guerrero, as Rodrigo, stands out but I also love that the director chose local people from San Andres as both actors and crew on this. (none of the other actors are credited by name) I love the camaraderie shown between Rodrigo, his sister and friends; it shows what a tight community this is. Rodrigo's mother is completely against him participating in the competition and we find out that her husband, Rodrigo's father, lost his life to the sea. It takes a little convincing and a bit of magic to help her see that the competition adheres to all the safety protocols and that the sea can be a wonderful place. I love how she changes throughout the film as she becomes more confident and exemplary. The background music is wonderful; it resonates with the sounds of the Caribbean and took me immediately to the beach. My favorite part is when Rodrigo stays underwater for a long time. I like this scene because it's quite a challenge. It's very intriguing to watch, because in addition to conveying emotions, it makes the boy feel very authentic.

The message of the film is to never give up on your dreams, be determined and persistent and achieve your goals. This message motivated me.

The film follows three girls - tweens or young teens - who turn up at their soccer field, ready to practice only to learn that practice has been cancelled due to the "too hot" weather. "Not again," one says. That results in their turn heading over to the playground and beginning a "clap song" that takes them into a montage of activities while embracing healthy lifestyle activities like biking, riding scooters, shopping locally with reusable shopping bags, recycling, as they engage other kids and adults in the joy and spread the word.

The production values of this short film are just terrific, from the cast to the locations. The camera work is great and the editing is even better. The song that accompanies it becomes its own character and, together with the clapping, creates an upbeat pace that moves the film along quickly and smoothly. I love the variety of activities shown - from riding scooters to dropping off a book at the local mini library -- and the easy interaction between the main characters and their friends, young and old.

The film's message is about taking care of Planet Earth, our home. Turn something negative into something positive and support a healthy lifestyle. Kudos to Livia and Corey Beasley for creating such an upbeat, informative film. And to Otto Gross for producing the music, featuring the voice talent of Jayna Gross and Livia Beasley.

It is the year 2090; there is a program called the Nuwa Project; its goal is to increase children's intelligence rates through genetic modification. All the children live miserable lives and feel isolated from the real world because they are trapped in labs constantly being examined for their intelligence. Jojo is a kid that isn't in the labs and discovers a very harsh truth about this program that the outside world has not seen before.

The plot is pretty fast-paced and it's even faster because the dialogue is not in English. So, you have to make sure to pay attention to the subtitles. The camera work is very clear and it is very film coded. The main character, Jojo, plays an exceptional role as the protagonist who wants change for his people and his community. He discovers a harsh truth about the labs that no one knows about. He opens the outside world's eye to the harsh reality that the kids at the Nuva program face. The costuming plays a big part in identifying the characters. The kids all wear a plaid blue colored uniform and the adults, who are mostly chemists and scientists, wear lab coats and goggles. The story takes place in a city in China in the year 2090. The director's work stands out here because of the film's concept to take place in the future and the storyline following a group of kids who are trapped in a lab and being treated as guinea pigs. My favorite part is when Jojo unravels the truth that has been hidden for a long time about the Nuva Program.

The film's message is that technology can be dangerous if not used for the right things and by the right people.

The story is about two best friends, June (Hampton Richard) and Annie (Christine Dvorak), who run a beach radio station together. We follow the girls and they grow up and later show doubts about the show. Interspersed are interviews with other kids discussing what they want to be when they grow up.

This is a fun exploration showing two girls growing up and following their dream. The plot is relatable as it centers on friendship; the friendship between Jess and Annie is beautifully shown. The shots of them are so adorable, from childhood to young adults. They are so energetic; almost contagiously so. The plot develops in a logical way as Annie starts to feel unsure about the radio show. I found the interviews with other kids about what they want to be when they grow up to not add to the film; they are a distraction somewhat since the story is really on the two main characters, June and Annie. The camera work is clear and well done. There are beautiful shots of the beach and the girls having fun together in a variety of places. The closeups of the kids in the studio are particularly well done. Both actresses, Christine Dvorak, as Annie and Hampton Richard, as June are outstanding in their roles. I felt the connection between them and believed they were best friends. During the scene where Annie returns to the show, you can feel the joy that they have at their reunion. I like the background music! June and Annie's favorite song playing during the childhood flashback is a nice touch. Music is a big part of the film and all the songs are well selected. The work of the two directors, Kelsey Zhen and Alize Abdelhak, really stands out to me. I like how the film plays homage to where they studied film production and grew into themselves. I love how this film serves as a reflection of their experiences as college seniors. My favorite part is where Annie expresses her feelings on the radio show. I like this because she raises an important question. Compared to other jobs, the radio show can seem a bit self-indulgent, but I like that this shows how the show makes an impact on people. It truly shows you never know how much of an impact you have.

The film's message is that doing something in your life makes an impact on others, regardless if it is big or small, is important. Be forewarned that it contains mild profanity. The word "damn" is used at one point, but there was nothing else major.

What I love most about The Lightning Code is how it balances big ideas, like clean energy and corporate corruption, with genuine emotional moments and exciting twists. The film is packed with action and mystery, but it never loses sight of the heart at the center of the story -- a boy trying to honor his mother's legacy and do the right thing.

The story follows teen inventor Miles Fletcher (Andrew Reid), who finally cracks his late mother's code, an invention based on Nikola Tesla's dream of limitless energy. When a powerful corporation called Luxos Energy steps in with promises to help, Miles believes he's found a way to change the world. But Luxos has its own sinister agenda. With the help of his best friend Piper, her hilarious younger brother Jamie, and his loyal robot companion Newt, Miles must outsmart a tech giant and unlock the truth about his invention and himself. Andrew Reid brings charm and conviction to the role of Miles, making him both relatable and inspiring. Piper is a standout character too, fierce, loyal, and smart. The chemistry among the young cast is fun to watch, and Newt the robot adds humor and heart to the team. The visual effects are impressive, especially during the high-voltage scenes involving Miles' invention. The film feels both futuristic and grounded, thanks to its sleek design and real-world themes. One of my favorite parts of the movie is when Miles and Piper break into Luxos to retrieve the missing blueprints; it's full of suspense, clever thinking, and showcases their strong friendship. The film also excels in building emotional stakes, especially in scenes that connect Miles to his mother's memory and mission.

The Lightning Code carries a powerful message -- young people can lead big changes, especially when guided by integrity, teamwork, and curiosity. It promotes perseverance, critical thinking, and trust in the face of deception. There's no inappropriate content or bad language, making it a great pick for families.

I give The Lightning Code 4.5 out of 5 stars and recommend it for ages 8 to 18, plus adults who enjoy fast-paced family films with a message. It opens in select theaters on May 9, 2025. It's a jolt of fun you won't want to miss!

By Ashleigh C., KIDS FIRST! Film Critic, age 20

The Lightning Code is not your standard issue sci-fi film. A complex plot with multiple layers, mystery at every turn, and the trust and chemistry of friendship set the stage to prove that the future is truly what we make it.

Meet Miles Fletcher (Andrew Reid). He's a teenager like any other, except for the fact he has found the secret to perpetual energy. Hoping to bring his invention to the world, he reaches out to Luxos Energy with the hope they support his project. Unknown to him, Luxos is up to more than just clean energy, and it's only a matter of time before Miles finds out. With the help of his friends Piper (Sienna Ribeirio) and Jamie (Ryder Khatiwala), he must figure out how to stop this corporation giant, before the world is changed forever.

It might seem like this feature is pretty straightforward, but there are more twists and turns than I expected. Multiple elusive storylines create an air of mystery, and how the parallel adventures from multiple times come together, through code, is fun to see. There are times when Miles might feel stuck, only to find a phrase or a sequence from years before that shows the way through a challenge. My favorite scene is actually one such instance. After Miles learns the truth behind Luxos, he's not sure where to turn next. All seems lost until a saved childhood artifact reveals the code he must crack for him to keep going. Now any good movie has laughter, and The Lightning Code is no exception. This movie finds its own in Newt, a robot with a wicked sense of dry humor. Built to help Miles' endeavors, Newt always is there to provide a new side to the argument with hilarious and often sarcastic comments. Of course Miles has more friends than just a realist robot. The chemistry between Piper, Jamie, and Miles is clear as day, and brings the movie further into reality. Director Kali Bailey wonderfully captures the spirit of teamwork as the friends work through the difficulties Luxos throws their way.

This film's message is that there is always another way. Though Luxos proves to be a serious threat, Miles and his pals find a way through the dark, in order to light up the world.

I give The Lightning Code 5 out of 5 stars, and recommend it to ages 12 to 18 plus adults. The Lightning Code releases in select theaters on May 9, 2025.

By Braedyn M., KIDS FIRST! Film Critic, age 16

The Lightning Code is such a unique movie with incredible visuals and ideas. It's unlike anything I have ever seen, and the mysteries and puzzles always had me invested thanks to their distinctiveness.

The movie follows Miles Fletcher (Andrew Reid) as he attempts to finish his mother's work and discovers how to harness energy through lightning. However, due to this discovery, Luxos Energy, a company searching for the same thing, attempts to stop Miles from helping the world with his machine.

The Lightning Code has such distinctive ideas and uses very interesting concepts to create a captivating story. The concepts and ideas for technology in this film are phenomenal - not only are they remarkable, but they are especially well designed and executed. For example, the machine for power is so special and cool looking, and I love how the way it works is well explained. The story is very well-written, with noteworthy plot points and characters such as the protagonist, Miles Fletcher. His character arc is extremely well-developed, and his actions and reactions are all believable as a result of our following his reasoning as it occurs. However, some earlier scenes suffer from a lack of buildup, leading to them to make less of an impact than later scenes, despite their importance. These scenes are helped by the impeccable camera work by Diego Cacho which highlights the emotions of the characters through the visuals. On the whole, the visuals are extraordinary - the sets help tell the story and the bigger effects, such as the explosions, all leave their mark. The music choices add a lot, especially in the montages, such as when "The Spark" is used when Miles is inventing - they help tell the story through the lyrics.

The film's message is to put trust in the people that you care about, and trust that they care about you. Be warned that there are guns and violence is shown in parts of the movie.

I give The Lightning Code 4 out of 5 stars and recommend it for ages 8 to 12. It releases in select theaters on May 9, 2025.

By Isabella V., KIDS FIRST! Film Critic, age 14

The story unfolds in a picturesque village in East China. Pang (Yootha Wong-Loi-Sing) and his dragon friend, Jielong (Georgina Verbaan) live a somewhat charmed life until Jielong is captured and taken to Africa. In an effort to save her, Pang goes on a treacherous journey across the sea through unknown territory with challenges around every turn. On this journey Pang meets new friends and uses his moral compass and good heart to guide his way.

This film is phenomenal! The storyline is well done and impressive. Pang's adventure is riveting and the characters he meets along the way open up when he embraces them with kindness. I like the wise comments in the film such as "The journey of a thousand miles begins with a single step." Putting these wise words into the film adds a level of depth relatable to many. The humor is abundant throughout the film mainly from the lion prince Ade (Namisa Mdalose). The humor is child appropriate and enjoyable for all ages. My favorite part is the lion prince's birthday party because many animals bring him some hilarious gifts. My favorite character is Niala (Candice Modiselle) because she is guarded and salty at the beginning but becomes friendlier toward the end of the film.

There are many messages to this film such as kindness can get you farther than hostility. Also, if you choose to search outside your comfort zone, you may surprise yourself. These messages are successful and evident as the story progresses. The messages are very positive and uplifting as well as inspirational on many levels.

I give Panda Bear in Africa 4.5 out of 5 stars and recommend it for ages 5 to 12, plus adults. It releases digitally and on DVD May 13, 2025.

By Josephine K., KIDS FIRST! Film Critic, age 12

I love Panda Bear in Africa. It is funny, well animated, has an amazing storyline, and great voice acting. It kept me entertained and laughing through the whole movie.

The storyline is about a young panda bear named Pang (Yootha Wong Loi Sing) and his young dragon friend, Jielong (Georgina Verbaan). After an unfortunate series of events, Pang must embark on a painstaking journey all the way from Asia to Africa. During his journey he makes a few new friends, such as JoJo the monkey (Maurits Delchot) and Niala the hyena (Candice Modiselle). He also makes an enemy, Malum the lion (Silas Lekgoathi).

Panda Bear in Africa is filled with ridiculous scenes and jokes that kept cracking me up. Even the characters themselves are hilarious. Props to the animators for using the CGI to the fullest. They use it to the absolute best of their capabilities to make everything so beautiful. The sand, water, trees, even the animals are wonderfully done. I have to commend Richard Claus and Karsten Kiilerich for both writing and directing this movie. The script is fantastic and it had me wondering what was going to happen next. It also kept my eyes open while I sat at the edge of my seat. I could feel all the emotions the main characters were expressing. I especially love the voice acting of Yootha Wong Loi Sing. He really captures a goofy, childlike personality for his character. The casting is really good all across the board. The music department really succeeds at making the music match the scenes. It really helped immerse me into the film. As much as I love this film, the one thing that is missing is character development - the characters are pretty much one dimensional. Other than that, this is a great film. My favorite part is when Jielong's self-pep talk goes terribly wrong and she is then faced with a duo of dastardly animals which complicate her plans.

The film's message is to be yourself no matter what. It also reminds us that we don't need to be overly concerned about what other people think. What matters is your opinion.

I give Panda Bear in Africa 5 out of 5 stars and I recommend it for ages 5 to 12. This movie releases on DVD and digital platforms on May 13, 2025.

By Eli C., KIDS FIRST Film Critics, age 9

I like the film Panda Bear in Africa, because of its adventures and the Nigerian accents. L also like how the panda is so warm-hearted and genuine. I like how the dragon always supports the panda in everything he does - and it goes both ways. In everything they do, they are so intertwined; it's almost like their brains are connected.

The film is about a warm-hearted panda bear (Yootha Wong-Loi-Sing) dreaming of going across the world with his dragon friend when suddenly the dragon gets kidnaped by Africans and is taken to Africa to become a pet. Her brave warm-hearted panda friend comes to her rescue with the help of a monkey named JoJo (Maurits Delchot).

One thing that is very noticeable is the panda bear's bravery; it broke my heart to see the panda risk everything to save his friend's life. In addition to his warm-hearted personality, Panda Bear is emotional, thoughtful, responsible and goofy. The other characters help us better understand the panda bear's personality. I didn't like how JoJo is always leaving the panda and running away. However, I do really like the ending when he comes to help the panda. I also like Ade (Namisa Mdalose), because he's funny - after every sad scene he brings happiness. This movie taught me to think about how jungle animals live and take care of each other. I like how The Lion King and Kung Fu Panda are referenced. I love the adventures in this movie. They made me jump out of my seat every time something exciting happened. I also like how they combine Asia and Africa here. The graphics are crisp and realistic - making the audience feel as if you are a part of the movie. Another notable element is how the jungle is shown in both countries. I also like the lighting; it makes the jungle look so real. The darkness is real as well.

The film's message is that bravery knows neither size nor boundaries. It's a reminder to always be brave, courageous, and strong and never be shy.

I rate Panda Bear in Africa 5 out of 5 stars and recommend it for ages 8 to 12, plus adults. It releases on streaming and DVD/Blu-ray on May 13, 2024.

By Jude A., KIDS FIRST! Film critic, Age 10

Panda Bear in Africa is a cute, heartwarming animated film full of fun characters, vibrant colors, and great messages. I enjoyed the animation, the characters and all the lessons the movie teaches along the way.

Pang (Yootha Wong-Loi-Sing) is a young panda from an idyllic village in China. His best friend, Jielong the dragoness (Georgina Verbaan) is kidnapped, so he travels from Asia to Africa in order to rescue his friend. Once Pang arrives, he meets all kinds of African animals that either help or slow his journey down.

The animation is so bright and vibrantly colored! The greens of the jungle and red and yellows of Pang's home town make me feel like I am right there with Pang. However, I was disappointed that Pang and the other animals are not so cute, the landscapes are not particularly detailed and the lion's rock feels very flat. However I do like how lions and hyenas are part of the story. I love how every animal has its own personality and skills that, in the end, are used to help Pang find his friend. At first, they don't work together so well, but eventually they learn to work as a team. The voice actors are expressive and fit each character with a unique and interesting personality for each one. Pang has a gentle tone that shows how caring he is. He helps everyone in need even if it means risking something and giving people multiple chances. Georgina Verbaan, who voices Jielong has a very upbeat tone and sounds very positive all the time, even when she is captured. Maurits Delchot plays the very talkative monkey, Jojo. He is energetic and provides comedic relief for the story. Jojo accompanies Pang on his journey and guides Pang through Africa.

The film's message is that friendship always prevails. There are many friendships in this story -- the biggest being the one between Pang and Jielong. Even though he knows it will be hard, Pang does everything in his ability to get his friend back. Another message is that a journey of a thousand miles begins with a single step. This is taught to Pang by the captain of the boat that takes Pang to Africa. And last, Pang realizes that everyone deserves a second chance. He also learns that being brave isn't just about not being scared, but also willing to do what is right.

I give Panda Bear in Africa 3.5 out of 5 stars and recommend it for ages 5 to 8, plus adults. It releases on streaming and DVD/Blu-ray on May 13, 2024.

Thunderbolts* brings us back into the life of Yelena Belova (Florence Pugh) who is reeling after the recent death of her sister, Natasha Romanoff (Scarlet Johansson). When we last saw her in the show Hawkeye, she was working for Valentina Alegra De Fontaine (Julia Louis-Dreyfus), a malicious and conniving politician whose only goal is to rise to power. After the betrayal of Valentina, Yelena must join forces with a team of misfits to take her down.

Thunderbolts* is the perfect start to summer. The story shows us the evils that can come from one person having too much power. Valentina's electrifying quote, "Righteousness without power is just an opinion," shocked me to my core. It gives an excellent view into her ruthless, single-minded focus on amassing power. With an ensemble cast like this has, it seemed impossible for Marvel to go wrong. John Walker (Wyatt Russel) battles with Bucky Barnes (Sebastian Stan) to be the brooding dark teammate, but clearly, Ghost (Hannah John-Kamen) takes that title. When we last saw Ghost in Ant-Man and The Wasp she was struggling with her constant phasing through walls. However, at the end of that film, she and Bill Foster narrowly escaped the police. Bringing her back in Thunderbolts* is a fantastic way to continue her saga for the next generation of the MCU. Another great character, and a source of constant comic relief, is Red Guardian (David Harbour). His lifelong desire to live the super-hero life, and his work as everything from a mercenary to a second-rate limo driver, are a source of tons of humor and great one-liners. And seeing Red Guardian working with this awesome group really works with the movies tag line, "Everyone Deserves A Second Shot."

The film's message is that everyone, no matter how many bad decisions they've made in the past, deserves a chance at redemption and everyone needs people who care about them in their corner. Thunderbolts* includes themes of camaraderie, the power of being different, and the damaging effects of loneliness. Parents should note that this film includes many scary moments, including when characters are forced to relive traumatic moments from their lives.

Thunderbolts* gets 5 out of 5 stars from me and I recommend it for ages 14 to 18, plus adults. It premieres in theaters on May 2, 2025.

By Jackson N., KIDS FIRST! Film Critic, age 12

I really like Thunderbolts*. It's an action packed, yet quite serious film that showcases personal issues of anxiety and depression. It really focuses on the struggles of superheroes coming to terms with themselves as humans, which is something that I haven't seen Marvel do before.

Thunderbolts* follows the lives of these somewhat "anti-heroes" who are unsure of their purpose, and feel like they have completely lost themselves. After deciding to abandon their corrupt boss and work together, they embark on a dangerous mission in hopes of saving the ones they love, while uncovering many deep dark secrets of their past.

The cinematography in this film is outstanding. From the very first shots, I was instantly captivated. This shot shows Yelena (Florence Pugh) jumping off an extremely tall building. It is dark and gray, which completely sets the mood for the rest of the film. The director, Jake Schreir, really delivers the message of the movie. This film is so much more than a typical Marvel movie. Yes, there are fight scenes and saving civilians, but it is also sad and unbelievably honest. This is something that Schreir really taps into. There are a lot of long shots, which allows the audience to see the stillness and loneliness of the world from an outside perspective. Most importantly, this storyline is quite different from other Marvel films and I definitely wasn't expecting that, and yet, I was completely captivated the entire time. Showcasing these superheroes' dark emotions, and understanding their backstories was unexpected and so refreshing - it humanizes these characters. I could see and understand their vulnerability. This also makes these characters more relatable to everyday people, aside from their impeccable fighting skills. A major standout performance is Florence Pugh's. The quality of her acting is so strong. I could feel her character building as she executes Yelena. Her connection with all the other characters is also so special. There are so many moments, but one that stands out is when she finally sees something in Walker (Wyatt Russell). Personal information has been revealed about Walker, and the way that Yelena looks at him, and makes a face of understanding and sympathy, is a scene that sticks in my head. This is something so simple, but helped to build their connection for the rest of the movie, and established their relationship.

The film's message is to not be afraid to come to terms with your sadness and trauma, and realize that by accepting it will help you to not suffocate from your own depression.

I give Thunderbolts* 5 out of 5 stars and recommend it to ages 12 to 18, plus adults. Thunderbolts* releases in theaters May 2, 2025.

By Jackson N., KIDS FIRST! Film Critic, age 12

I was happily surprised by Thunderbolts*. It is very different from recent Marvel productions with respect to its primary characters and the themes it explores.

Working under CIA director Valentina Allegra de Fontaine (Julia Louis-Dreyfus), Yelena Belova (Florence Pugh) is sent on one last mission before changing things up, but finds herself working together with an unlikely team of antiheroes - Winter Soldier (Sebastian Stan), Red Guardian (David Harbour), John Walker (Wyatt Russel) and Ghost (Hannah John-Kamen) - to confront their dark pasts and the dangerous future ahead.

Being honest, I haven't watched the most recent Marvel movies and shows that have been released so I was a bit confused during Thunderbolts* as some of the characters are more obscure and had backstories that were explained in previous films other than the Avengers franchise. I was still able to understand it after a while, but I do recommend watching The Falcon and the Winter Soldier, Black Widow, and Ant-Man and the Wasp if you haven't already, to understand where some of the characters come from and to be able to fully enjoy the movie. This movie is unique from other recent Marvel movies which is refreshing since some Marvel movies have fallen short recently. This film may just seem like a way to keep the Marvel Cinematic Universe (MCU) going after the Avengers' storyline ended and the Thunderbolts* is based on actual comics, albeit loosely. These characters are much more complex than classic superheroes and I really liked exploring seemingly minor characters more deeply. I love the irreverent tone of the humor in this film and how it makes fun of itself, while portraying serious topics like mental health issues and how there isn't always a 'good guy.' All of the members of the "Thunderbolts" have hilarious chemistry, but the actors who stick out the most are Florence Pugh as Yelena and Lewis Pullman as Bob. Florence Pugh's character, Yelena, really takes the lead, as she creates a perfect balance of strength, dry humor and vulnerability. Bob is a complex character with many very different aspects to his personality, and Lewis Pullman portrays all of them perfectly. As always, be sure to stay through the end for some end-credit scenes!

The film's messages are the importance of perseverance, teamwork and remembering that you are not alone. Be forewarned that it contains violence, death, profanity, drug references and depictions of mental health struggles.

I give Thunderbolts* 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. Marvel fans should definitely check out this movie. It releases in theaters on May 2, 2025.

The story follows Dalia, a 12-year-old girl who stumbles upon her deceased father's unfinished novel. With the help of a well-balanced goat character she made with her father, Dalia makes it her mission to finish her father's book before time runs out. This film acts as a reminder of the importance of the written word and how much it still matters.

This film is inspirational. Dalia is a quiet girl who doubts her abilities, and her journey will challenge those very doubts. I also like the animation and how it is a more modern version of classic stop-motion animation. I like that the movie makes a connection between the real world and the book world with characters like the librarian (Andres Burecoics), and how the film makes a connection between his character in both worlds. (Agustina Cirulnik) plays Dalia well and with a good amount of childish enthusiasm in her voice. My favorite part is when Dalia finds her goat stuffy, which inspires the goat character in the book. He is an integral and skilled character as Dalia progresses through the story.

The film's message is that believing in yourself will take you far. It is an uplifting reminder that confidence is key.

I give Dalia & The Red Book 4.5 out of 5 stars and recommend it for ages 8 to 12, plus adults. It is available on VOD and streaming beginning May 6, 2025.

By Josephine K, KIDS FIRST! Film Critic, age 12

The film Dalia & The Red Book intrigued me. Being captured into a book and saving it is one thing but being captured into your dad's book by the bad guys, and now finishing it is a whole other story.

Dalia (Agustina Cirulnik), the daughter of the famous writer Adolfo (Gustavo Barrientos), who recently passed away, finds his last book and opens it. Some villains decide to come out of the book to finish it their way. Dalia becomes part of the story, meeting her character goat (Gustavo Barrientos) and confronting characters like Lady Fox (Mariana Correa) and Buho (Andr�s Burecovics). They meet the most powerful villains and have an epic showdown.

This movie was fun to watch because there are lots of action scenes, and the suspense kept me asking myself what will happen next. My favorite character is Goat because of how serious he looks, plus his glasses make him look so cool. I credit director David Bisbano for making a captivating film that I wanted to keep watching - it definitely kept me on the edge of my seat. The animation by Luis Butr�n and David Vinagre is amazing. I especially love all the unique character expressions. The musical score by Matias Caldarella is so suitable; it really helps shape the emotional impact, especially in the action scenes.

The film's message is that something is impossible until someone proves otherwise. Be aware that there is some mild profanity.

I give Dalia & The Red Book 4.5 out of 5 and recommend it for ages 8 to 12, plus adults. It releases on VOD and streaming May 6, 2025.

By Ryan M., KIDS FIRST! Film Critic, age 10

Dalia & the Red Book is an amazing movie with terrific stop-motion animation and an interesting storyline. The movie made me feel like I had been transported inside of a book, and was a part of the film with the characters.

Dalia (Agustina Cirulnik) is a 12-year-old girl who loves writing but feels she isn't as good as her dad Adolfo (Gustavo Barrientos), a famous writer who passed away recently. After a dramatic scene of book characters in the real world, Dalia finds herself sucked into her dad's novel. During her escape from the book she is assisted by the Goat (Gustavo Barrientos) who she created as a character when she was a little girl.

I really like the stop-motion animation - it's very unique and makes the story feel very real. The ending is very well done and emotional, giving feelings of happiness and sadness at the same time. I enjoyed the protagonist of the story, Dalia, and her journey as she becomes sucked into the pages of her dad's unfinished novel. I love how the animation makes the world inside the book very unique and exciting with fantasy creatures like Wolf (Mariana Correa) who is trying to catch Dalia for the mysterious Creator. The music and sound effects fit perfectly with the scenes, further drawing me into the story. My favorite part is watching Dalia grow from a girl with little self-confidence to a successful and confident character in her dad's novel and her own life. I will note that the dubbing in English makes the scenes with written words seem a little strange with the voice-overs but doesn't take away from the story itself.

The film's message is to believe in yourself and that you can do anything if you try and have faith in yourself. Remember that, even if you mess up at first, you can succeed by learning from your mistakes.

I give Dalia & the Red Book a solid 4.5 stars out of 5 and recommend it for ages 8 to 12, plus adults. It is available on VOD and streaming on May 6, 2025.

Star Trek: Section 31 is a spin-off of Star Trek: Discovery. It follows a returning character, Philippa Georgiou (Michelle Yeoh) as she assists the crew of Section 31, a division of Starfleet. She faces troubles as her past catches up to her and as a mole works to thwart Section 31's mission.

I particularly enjoyed the actors' performances in this show - they each have an important role to play. For example, Kacey Rohl, who plays Rachel Garret, a member of Section 31, has brilliant facial expressions, the most common ones being arrogance, annoyance, and determination. Her facial expressions truly make the film seem as if it is happening right in front of us. Another notable performance is by Sam Richardson who plays Quasi, another member of Section 31, who has fantastic voice inflections expressing determination, comedy, and annoyance. These contribute to the believability of the film. Another aspect that contributes to the believability of the film is the costuming. The costumes help us believe that there truly are parallel universes and different human-like species. Details like the color of a character's eyes or a character's skin tone show a different species as well as bigger differences. For example, Virgil (Augusto Bitter), a servant to Georgiou, is half white and half black body in his body design and his attire. The CGI also draws us into the movie. There are many various explosions created with CGI and they are very realistic. Following the explosions, fire flares up or when it damages a ship, there are flickering lights and sparks flying everywhere. The sound effects and the background music help enhance the mood of the film. For example, in a bar scene, the clever combination of footsteps in the background and the soundtrack make the scene feel like a true bar - lively and a little chaotic.

The show's message is that, even when things go wrong, if you lean on others, you can get through it. Be aware that there are scenes showing suicide, cursing, violence, and death.

Star Trek: Section 31 gets 4 out of 5 stars and I recommend it for ages 12 to 18, plus adults. It releases on digital platforms plus DVD, Blu-Ray, and Ultra HD on April 29, 2025.

Leo is an adorable sea lion pup who has only ever known his home beach and the calm shallow waters that grace its shores. Sunshine, fresh air, a mother that can find him whenever he decides to dive off and explore, what more could he want? All seems well in his world until he realizes that he isn't a baby pup anymore, and since he's not the male beachmaster, he's not welcome on the island. What follows is Leo's quest to find his place in the world, and an island to call home.

With direction by Hugh Wilson and Keith Scholey and narration by Brandon Fraser, this is not your standard animal documentary. Instead of just revealing facts about the animal in focus, this feature educates from the perspective of a story, with the life of a young sea lion, named Leo, as a guide. However, this does not mean there is less insight into the Galapagos sea lion species. As Leo makes his way, I learned all the ins and outs of being a sea lion, and living in the Galapagos. For example, in one instance Leo teams up with some friends to catch some fish, when some uninvited guests show up. While sad for Leo and his pals, it beautifully illustrates how all animals are connected and interact with each other. Speaking of scenes, my favorite might just be the most hilarious. After a day of traveling, Leo finally finds a nice soft beach to land on. Thinking this might just be the place he can make his home, he falls asleep only to be awoken by the beach's beachmaster, and he is NOT happy to see another male. Leo has no choice but to escape up a steep hill where the beachmaster, as big as he is, cannot follow. How does Leo leave the island? By belly-whopping his way down the other side of the hill! After this daring endeavor, Leo continues on his way.

This documentary's message is to always explore; there is always something out there to find, even for a sea lion. As Leo grows up, he gets wiser and braver due to all the challenges he's faced, like blowing bubbles to scare out fish from their coral caves. Note that there are a few sightings of blood in this documentary.

I give Sea Lions of the Galapagos 5 out of 5 stars and recommend it for ages 8 to 18 plus adults. Sea Lions of the Galapagos is available now on Disney+.

This new season follows Cassian Andor, played brilliantly by Diego Luna, a courageous leader who is helping to build a rebellion against the evil Empire. Alongside his loyal friends, Bix (Adria Arjona), a fearless and smart fighter, and B2EMO (Dave Chapman), a quirky and lovable droid, Cassian battles to free the galaxy from the harsh rule of greedy villains and make their world a better place.

One of the coolest things about this season of Andor is its amazing scenery and costumes. Every scene is beautifully made, transporting you instantly to a galaxy far, far away. The costumes are colorful and detailed, giving each character a unique look that helps tell their story. Whether you're exploring an Empire castle, traveling through fields of grain where brave workers struggle, or sneaking through shadowy forests where the rebels hide, each location is brought vividly to life. The acting is outstanding -- the actors made me feel everything their characters experienced--whether it's joy, sadness, or determination. Lucasfilm really pulled out all the stops for this one, with various filming locations in Scotland, many great alien characters, and a plethora of stories across the galaxy. This continuation of Andor adds depth to the Star Wars universe in the lead up to the original Star Wars movie, A New Hope. I highly recommend that you watch season one of Andor before you watch this season to make sure you don't lose the storyline thread.

This show doesn't just offer adventure; it also has important messages about courage, hope, and fighting for what's right. It reminds us that anyone, no matter how small or powerless they might feel, can make a big difference if they stand up for what they believe in. It's important to note that Andor season 2 does have some serious moments and battles that are pretty intense, so keep that in mind for younger viewers. There are scenes where characters face real danger and violence.

Andor: Season 2 gets 5 out of 5 stars from me and I recommend it for ages 12 to 18, plus adults. It premieres on Disney Plus on April 22, 2025, with three episodes releasing weekly until May 13, making sure you're always on the edge of your seat, eagerly waiting to find out what happens next!

By Jackson N., KIDS FIRST! Film Critic, age 12

I thoroughly enjoyed watching Andor: Season 2. It explores complex themes of politics and trauma with depth, and is enhanced by wonderful character development and a gripping plot. The second season of Andor is an extremely worthwhile watch.

The plot follows Cassian Andor (Diego Luna), from Season 1, who actively fights against the Galactic Empire, committed to being a rebel hero. This is a far cry from the self-centered man he was before. Cassian reunites with Bix Caleen (Adria Arjona). She is still haunted by the psychological trauma she faced from her capture. Andor: Season 2 covers four years leading up to the events of Rogue One: A Star Wars Story. The characters juggle betrayals, sacrifices, spies and consequences. Will the rebellion be able to stop the growing empire? Or will all their sacrifices be for nothing?

An important aspect that this show highlights extremely well is characterization. There are many complex and unique characters. A notable example is Bix Caleen (Adria Arjona). In Season 1, she was psychologically tortured. In Season 2, she is on a journey of her own to find peace and security. Adria Arjona portrays her vulnerability and strength admirably. Diego Luna should also be commended for his portrayal of Cassian as he undergoes an extreme character arc when he realizes his true potential and destiny. Luna perfectly embodies Cassian as he evolves from Season 1 to Season 2. While there are many amazing parts of this movie, such as the plot and the gorgeous costumes, the music deserves a big shoutout thanks to the work of music director Brandon Roberts.

The show's main message is about unity through struggle. The rebellion against the Galactic Empire is an extremely diverse group and they have to ignore their differences in order to band together and fight evil. Be aware that there are some elements of violence, although nothing bloody and gory, and alcohol or drug use.

Andor: Season 2 gets 5 out of 5 stars from me and I recommend it for ages 12 to 18 plus adults. It begins streaming on Disney + on April 22, 2025.

Zoey F., KIDS FIRST! Film Critic, age 13

I absolutely love Andor: Season 2. This season has amazing acting, a fantastic storyline, and thrilling action scenes. I was at the edge of my seat as I watched, totally enthralled. The different points of view, including those in the empire, give so much more depth and meaning to the show. Oh, and did I mention how totally enthralled I was?

This season continues to follow the adventurous story of rebel captain, Cassian Andor (Diego Luna). It shows Andor's exciting years of rebellion, leading up to the epic battle of Yavin, as seen in Rogue One: A Star Wars Story. We also get to see the rise of the rebellion, and even some of the internal affairs within the empire itself. This thrilling new season of Andor keeps our favorite characters, such as Bix Caleen (Adria Arjona), Mon Mothma (Genevieve O'Reilly), Luthen Rael (Stellan Skarsgard), and more. Make sure to watch for epic fighting scenes, political views, and even a little bit of romance.

Andor: Season 2 is one of the best works of cinema I have seen all year. It's perfectly orchestrated and fantastically written. Andor is one of my all-time favorite Star Wars characters. If you love him like I do, this epic new season will have you jumping for joy. Kudos to Diego Luna for maintaining his character's consistency. He is just as mysterious and adventurous in the second season as he was in the first. It's refreshing to see how Andor continues to develop its characters. I feel as if I can connect to them on a personal level. Props to the cinematographers for keeping that classic Star-Wars atmosphere. Its landscapes are beautiful, and its lighting succeeds at conveying the appropriate tone. This combination really makes Andor Season 2 into the masterpiece that it is. My favorite part is when Andor escapes the chaotic planet of Ghorman, which is very exciting and epic.

The show's lesson is that just one person can make a difference, even when the odds are against them. Note that this season does have some adult situations, namely slight substance use, and intense violence.

Andor: Season 2 gets 5 out of 5 stars from me and I and I recommend it for ages 12 to 18, plus adults. It releases on Disney Plus on April 22, 2025.

This three episode series shows what it was like to be one of the key innovators in the movie industry in the 1990s. This season delves into the pivotal work of Industrial Light & Magic (ILM) in the aftermath of the hit film Star Wars: A New Hope. Beyond the technical marvels, Light and Magic: Season 2 emphasizes the human spirit behind the art. Discussions range from how teams found new ways to make cinematic magic happen together to what happens when a director like Steven Spielberg calls with a big, seemingly impossible ask and a tight deadline.

George Lucas, one of the most prolific moviemakers and the founder of Industrial Light & Magic, Joe Johnston, director of Captain America: The First Avenger, and their visionary colleagues recount the challenges of pushing technical boundaries--transforming months of effects work into seconds of onscreen wonder. From Yoda's subtle puppet movements to the world's love/hate relationship with Jar Jar Binks, every frame illustrates ILM's commitment to joy, innovation, and persistence. For anyone who loves the magic of movies or aspires to work in the film business, this gives the inside scoop. The interviews with the animators reveal moments of doubt, breakthroughs, and camaraderie--reminding aspiring filmmakers that no dream is too ambitious. Whether you are a fan of The Mask, Twister, or Jurassic Park, this series will deepen your understanding of what the effects people went through to make the films that we know and love today.

The film's message is that just because something hasn't been done yet, it doesn't mean that it can't be done. This show includes themes of joy, innovation, and persistence. Parents should be aware that there is a candid discussion about mental health and a brief mention of suicidal thoughts.

Light and Magic: Season 2 gets 5 out of 5 stars from me and I recommend it for ages 12 to 18, plus adults. Season 2 debuts on Disney+ on April 18, 2025.

By Jackson N., KIDS FIRST! Film Critic, age 12

I love Light & Magic: Season 2. It is enticing, informative and offers great insights into the world of visual effects. It is very fun to see the various challenges the team at Industrial Light and Magic team faced over the years, while maintaining its light and welcoming community.

This three-episode season shows us the hard-working people behind the magic of George Lucas' computer animation and stereo conversion digital studio, Industrial Light and Magic (ILM), founded in 1975. We follow the artists as they implement new digital technology and the rise of computer graphics (CG) to create visual masterpieces for films such as the 1977 film Star Wars and The Empire Strikes Back. From there, the company expanded and produced special effects for over three hundred films, including the entire Star Wars saga, the Indiana Jones Series, and the Jurassic Park series. The many challenges ILM dealt with over the years included complicated problems like character backlash, complex new concepts, and rising competition all gave ILM a run for its money.

I am a massive fan of the Star Wars movies. Revenge of the Sith is one of my all-time favorites. Watching this team creating the prequel trilogy was beyond exciting. I've always had an idea of how difficult filmmaking was, but I never knew it could be this extensive. This season offers fantastic insight to the sheer persistence and the community of the visual effects' world. As much as I already love these films, I feel that I can appreciate them a little bit more after watching this series. The community is so fun to watch - everyone at ILM works together so wonderfully. They consistently meet their deadline; no matter the challenge. You would think that the amount of work would result in a stressed and tense work environment. Think again! This team keeps an enjoyable atmosphere that makes me wish I could be there with them. My favorite part is when we watch the ILM crew create the iconic Yoda versus Dooku fight entirely with CG. I especially like the way they kept it realistic and high quality. This part is truly a testament to why they have remained pioneers in the visual effects' world for so long.

The series' message is that, with great perseverance, patience, creativity, and teamwork, you can accomplish greatness. Be aware that there is some profanity and discussion of adult situations in this season.

Light & Magic Season 2 gets 5 out of 5 stars from me, and I recommend it for ages 12 to 18, plus adults. It is available on Disney Plus beginning April 18, 2025.

By Ari C., KIDS FIRST Film Critics, age 12

Light & Magic: Season 2 is such an informative and compelling series about the history and process of creating digital effects in films. It gave me a newfound appreciation for a part of filmmaking I previously did not know much about and I learned a lot about the struggles and thought process behind creating special effects.

This three-part series follows Industrial Light & Magic (ILM), owned by George Lucas, as they deal with and overcome the challenges faced by developing and using computer generated (CG) imagery. The series is told through archival footage and interviews as it follows the entire creative team and gives insight into how CG was developed for many classic films and the struggles that had to be overcome.

The presentation of the information in this series is incredible; it reveals the story in chronological order, leading to great pacing and immersion. I found myself getting invested at so many points thanks to not knowing what may happen next, even when I knew how the films turned out in the end. The details are unbelievable; there are so many small things that go unnoticed in finished films that are explored here. I especially love the insight into how physics is used to make things appear more realistic. The interviews are extremely informative, with the actual employees at ILM speaking about their experiences. That makes the story feel more personal. The way people describe their situations and the various difficulties they faced made me want the best for them, even making me emotional at times. The music selection is also perfect; it enhances the events and lends emotion to them. It's exceptionally well used in dramatic or impactful scenes, such as when they are discovering a problem or a solution. I like that each section is told by someone who actually worked in it. For example, Doug Chiang, with over 25 years of experience working on Star Wars, talks about his experiences with the franchise. This series gave me so much appreciation for something I had really never given much thought to before, leaving me impressed with both the story, and the work by these special effects creators.

The show's message is to work as hard as possible and not give up on what you want to achieve, because even when obstacles get in the way, you can overcome them. Be forewarned that some mild profanity is used.

I give Light & Magic 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. It is available on Disney+ beginning April 18, 2025.

This storyline is about a young girl named Yuri (Helena Zengel) who lives on a remote island in the middle of the Black Sea. The island is filled with native animals called ochis. Her father, Maxim (Willem Dafoe) has always taught her to fear these animals, as they are a threat to humankind. However, Yuri has a special place in her heart for animals, and her desire to help a lost ochi takes her on a wild adventure, uncovering a world of secrets that she never knew about.

Something that I really enjoy about this film is the cinematography. Director Isaiah Saxon has a unique style that helps to bring out the cold, uncomfortable feeling that this film exudes. There are many moments of stillness and closeups - many scenes where the camera zooms in very close on Yuri's face. This helps the audience to really feel her loneliness and sadness. It is clear that she is undergoing something from the very beginning, and this camera work helps us to understand that, even without dialogue. Additionally, the animatronics are outstanding. All of the ochis feel so real. They look incredibly realistic, and their interactions with the humans are so interesting to watch - especially all of the communication between the baby ochi and Yuri. They are all so special and it's amazing how such a deep connection is established, even between an animatronic and a person. The ochi feels so human-like, and has such clear emotions and feelings. The noises and sounds they make are beautiful, and the overall qualities of the ochi are highly impressive. Lastly, the message of this movie is extremely powerful. It teaches us to not assume the worst in animals, and that violence is not the answer. This film also highlights how people's opinions are able to change over time. This is a huge aspect of today's society. With so much constant change, and things always evolving, it's often hard to shift the mindset of those who are set in their ways and traditions. This movie breaks that stigma, and shows us how strong the power of family and love is. The ending is particularly compelling and really moved me. I had full body chills the entire time.

The message of The Legend of Ochi is that love will always be the most powerful form of connection. Violence is never the answer and won't bring people together.

I give The Legend of Ochi 4 out of 5 stars and recommend it to ages 12 to 18, plus adults. The Legend of Ochi releases in select theaters April 18, 2025, and everywhere on April 25, 2025.

Mikella G., KIDS FIRST! Film Critics, age 18

I absolutely love The Legend of Ochi. Unlike movies that I usually like, this is not primarily CGI and special effects. The writer/director, Isaiah Saxon, uses creative and talented acting, cinematography, music and puppetry to create this beautiful film. Everything artistically comes together in an amazing experience.

This storyline is about a withdrawn and lonely girl named Yuri (Helena Zengel) who lives with her father, Maxim (Willem Defoe) and adopted brother, Petro (Finn Wolfhard). Yuri's village is plagued by the seemingly ferocious, yet undeniably adorable ochi. Yuri rescues and befriends an injured baby ochi (Paul Manalatos). Yuri's village and her father have taught her to fear the ochi. Despite this, Yuri sets off to return the ochi to its family. Her courageous yet dangerous decision brings change and unity for all.

Willem Defoe plays a much older Peter Pan like character. Dressed in rather silly armor, he leads his band of lost boys on a misguided crusade to get rid of the ochi. Helena Zengel and Emily Watson show a complex mother/daughter relationship. Robert Tygner and the other puppeteers make the baby ochi so adorable. The adult ochi realistically show expressions. This casts' performances are complex, heartwarming and, at times, comical. The ochi communicate their emotions through what Yuri's mother, Dasha (actor), called an inborn melody. The soundtrack, composed by David Longstreth, communicates in the same way. It brings a beautifully consistent melody that expresses the essence of each scene throughout the film. Filmed in Romania, the director of photography (Evan Prosofski) brings the beautiful mountains, roads and lakes to life. My favorite part is when Yuri reunites with her parents. The enduring love of a father, the unbreakable bond between mother and daughter, and the strength of family deeply touched me.

The film's message is that sometimes you must have the courage to challenge beliefs. It reminds us to look beyond the surface to gain understanding. It also teaches us that fear can sometimes keep us from having great experiences.

I give The Legend of Ochi 5 out of 5 stars and recommend it for ages 12 to 18, plus adults. It releases in theaters on April 18, 2025.

By IvyJoy C., KIDS FIRST! Film Critic, age 12

The film The Legend of Ochi is a family adventure film with many unexpected events. I love the visuals in the film. This movie was filmed in very beautiful locations and the settings are perfect for the story.

The storyline follows a young girl named Yuri who finds a small creature called an ochi after she runs away from home. Her whole life, Yuri has been told how scary and harmful the ochi are, so when she finds one, the creature has to gain her trust. The ochi and Yuri go on an adventure to reunite it with its family and, in the end; Yuri gets reunited with her family too.

This movie starts off a little slow, but once I started to understand it, I loved it! The settings for this film are very beautiful, especially the home of the ochi. I love the relationship between Yuri and the baby ochi. When they are separated they always end up finding each other and they always have each other's back. I love how the movie shows that it is important to have a connection with your family. This movie also shows another culture and a different part of the world which is very interesting. My favorite part of this film is when Yuri finds out she can speak the ochi's language. The ochi and Yuri are both surprised and have a bonding moment when they discover that they can speak the same language. It really sets the tone for the rest of the film, especially at the end when all the ochi's communicate with her and the baby ochi.

The film's message is about family and the importance of connection with everyone, even those who seem different or misunderstood. This film does have some adult language, but other than that it was great!

I give The Legend of Ochi 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. This film releases in theaters April 18, 2025.

The storyline follows Elizabeth Martin (Ruth Smith) who, without any friends or family members to readily turn to, has valued the bond with her pet dog, Adam, above all else. This seemingly inseparable bond is tested as Adam's life draws closer to the end, with his deteriorating health serving as an indicator. Although it is not a reality Elizabeth wishes to accept, seeking out every veterinarian she can to improve Adam's condition, she ultimately learns that all good things must come to an end.

This short film moves at a rapid pace, but the story develops rather well, choosing key story beats and meandering very little. There is some build-up to the primary conflict of the film that we see in the opening montages, so the plot efficiently allows us to empathize with Elizabeth when the emotional story beats roll around. The cinematography is pretty fundamental, but in a positive sense, as it allows the film to capture the essence of day-to-day life and properly bases it in the real world. This can be felt particularly when watching the montages, in which a phone recording of Adam is included along with traditional horizontal shots. Ruth Smith's portrayal of Elizabeth feels so lively and refreshing, and the viewer really gets the sense that she's an actual person. While she comes across as overly eccentric, this characterization masterfully plays into her underdeveloped social skills due to the isolation she has experienced throughout the years, and helps to emphasize how Adam brings out the best in her. My favorite part is the opening montage with shots of Elizabeth and Adam together. You really see what a strong connection the two of them have with each other, which adds emotional weight when the main conflict of the film crops up.

The film's message is that memories can keep friendships alive.

This film shares three amazing stories about the indomitable spirit of human nature. We are introduced to three people who, with science, technology, love, and strength, have overcome what was previously considered impossible odds. We are introduced to a nurse who travels the world with a heart given to him through scientific technology. He uses his heart, metaphorically and literally, to climb mountains and help the blind see. Next, we meet a man, his wife, and his young son who, after losing his leg, finds the strength to continue to build a community and not give up. Last, we meet a young woman who, as a child, benefited from immunotherapy technology that allowed her to live cancer free, going against the usual path of remission.

This film touched my heart in a way that no other has. It put me through waves of emotions - even making me cry at some points. This title is often held loosely and, in my opinion, this is the best movie of the year. Each story warmed my heart more than the next. It truly made me see how all the scientific advancements that humanity has made over the years have impacted our health care. Produced by MacGillivray Freeman Films, known for their extraordinary documentaries, Superhuman body: World of Medical Marvels is superbly made and one of the most inspiring I have ever watched; it truly encourages you to enter the vast world of science. My favorite part of this film is learning about a girl who is diagnosed with leukemia, is cured by the invention of T-cell immunotherapy and able to continue her life. The film's lesson is that, with the power of science, anything is possible. It also reminds us that the scientific world grows with each passing moment, so no matter how you're held back, there's always a way in science to move you forward.

I give Superhuman Body: World Of Medical Marvels 5 out of 5 stars and recommend it for ages 5 to 18, plus adults. It is available at the California Science Center and other select theaters now.

Drop is a thriller about a young widowed mother, Violet (Meghann Fahy) who goes on her first date in years with a nice man named Henry (Brandon Sklenar). She begins to receive airdrop messages, at first assuming they are a joke, until whoever is sending her them, begins threatening her son, Toby (Jacob Robinson) and her sister, Jen (Violett Beane). She begins to wonder who this mysterious sender is and whether it might be her date?

I particularly enjoyed the storyline, the acting and the background music. Noteworthy are the comedic characters, which help lighten the mood and take the edge off this thriller. For example, Violet and Henry's waiter, Matt (Jeffery Self) plays a comedic character. His jokes and ironic statements truly lighten the mood and he steals the show; he made me look forward to his next scene. Another humorous character is Violet's sister, Jen, who plays the part of a teasing sister. She brings humor to the scary parts of the movie and her teasing makes it seem as if she and Violet are truly family. Meghann Fahy, as Violet, is incredibly well played. During the frightening scenes her face reads of fear and I really believed she was scared during those scenes. Drop has fantastic music that provides great transitions, adding suspense and excitement - and definitely made me hold on to my seat in anticipation. The soundtrack shifts from a scary scene to a calm scene, with smooth and unnoticeable transitions.

The message of Drop is that, even when your situation is tough and it seems hopeless, never give up. Parents should be warned that there is cursing, strong violence, death, and hints of suicide.

I give Drop 5 out of 5 stars and recommend it for ages 12 to 18 plus adults. It releases in theaters on April 11, 2025.

The story follows two children, Lindy and Clay, who escape the eyes of their school principal by hiding in a closet only to discover a flute that plays itself and mysteriously takes them back in time to meet none other than Wolfgang Amadeus Mozart and his colleague, the renowned flutist Johann Baptist Wendling. This short film is the beginning of a series of films built around historical musical figures.

As much as I found this film enjoyable, some things bothered me, such as the time travel aspect. The kids go back in time to the late 1700s and are hardly ruffled by the experience. They land in the middle of a practice session with Mozart and Wendling who are hardly affected by their arrival. That just doesn't quite make sense because this would be a very big deal for all the parties in the room. Putting that aside, they begin to engage in a discussion of music, which is the best part of this film.

This short film is well made; you can see that the director and writer did their homework as everything appears to be pretty authentic. The camera work, audio recording and editing are spot on - nothing spectacular but very serviceable. I did find the audio level a bit low and had to turn the volume up as high as it could go in order to hear the dialogue. At times the background music overpowers it. I particularly enjoyed the set design which gives a good vibe of the time period, and the costumes for Mozart and Wendling are definitely a highlight. The background music is outstanding - I especially like how it continues at the end, even after the credits. The acting is all pretty good. The kids are terrific and the two musicians are well cast - their portrayals of the four characters definitely engage you in the story. There is some humor, such as when Clay talks about dead people and Mozart replies, "I'm not dead yet."

The film's message is about the origins of music and the influence of musicians historically.

This is a perfect thriller for young kids that won't give them nightmares. Kudos to the writer/ producer and key cast member, 9-year-old Willa Kate McCarter. Very impressive work she had created.

The production is very well done - good camera work, audio recording, editing, acting, and special effects. The three main characters, all siblings, are well portrayed. Trevor Juenger, the film's director, delivers terrific ghost-like critters through creative camera work and special effects.

The story follows two young friends, Boog and Shoot, who find a terrific red balloon and go off to search for its owner.

The production is well made, with good camera work, audio recording, editing and acting. I especially like the two main characters, Boog and Shoog, who lead the story. Their authenticity in trying to be helpful shows great role modeling. The dialogue is cleverly written, with lots of humorous elements - such as naming a business Twin Leeks Balloon Repair and a sign on the wall of a safety-pin with a line through it to indicate no safety pins allowed here. It involves a bit of problem-solving, which involves the audience. Some of the characters are oversized letters with lips that move when they speak. Ultimate the owner of the balloon is discovered and it's a fun plot twist.

The film's message is about friendship and having an adventure with your BFF.

The story revolves around a young man, Charlie (Rami Malek), who is a hardworking and dedicated CIA agent. After he learns about a destructive terrorist attack in London in which his wife, Sarah (Rachel Brosnahan), is unfortunately killed, he is determined to take immediate, harsh action. However, when the CIA refuses to comply with his requests, Charlie decides to take matters into his own hands. The film follows his difficult journey as he tracks down those who are connected to this wife's death, diving into the complicated emotional struggles that come with seeking revenge.

One actress who left me wanting to know more about her was Caitr�ona Balfe, who plays Inquiline, a sharp and humble spy. Balfe not only knows how to play her character, but she truly embodies the very essence of who Inquiline is. She uses her eyes to convey emotions that words could never fully express, from moments of harshness to soft tenderness. Caitr�ona Balfe's emotional blue eyes are captivating, pulling the audience deeper and deeper into the story with every glance. Another actor who made me feel as though this is a true story is Rami Malek. Malek plays the determined, quick-witted Charlie Heller with a feeling of authenticity. As an award-winning actor, he shows just how deeply he can live through his character. Rami Malek uses his body language wonderfully to us through the emotional plot. When Charlie is scared but unable to vocalize it, his hands fidget or shake uncontrollably. In contrast, when he is fearless, his posture and movements become more powerful, and his steps more deliberate, showing a wide range of emotional transformations that can resonate deeply with any one person in the audience.

The film's message is that love makes people do crazy things, and one should never take something for granted. For me, this film was very successful in motivating me to appreciate the small things in life and live in the moment.

I give The Amateur 5 out of 5 stars, and recommend it for ages 12 to 18, plus adults. The Amateur releases in theaters on April 11, 2025.

This movie tells about the disastrous vacation of a Mexican American family that has lost touch with their roots. Alexander (Thom Nemer) is a very unlucky 11-year old who is terrified to learn that his heritage involves a cursed idol. He becomes determined to turn his bad luck around by returning the idol to its rightful home. Unfortunately, this means taking an eventful road trip to Mexico City with his family that will leave a lasting impression on not only Alexander's family, but everyone they encounter.

Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip is full of belly laughs. I especially love how the family struggles to hold onto a vehicle. They start their trip with a fancy, high end RV and conclude their trip stranded and hanging on by a thread. It is also clever how the movie adds tiny comedic moments to every scene. One instance of this is when the family has to change clothes due to a very stinky chance meeting with a skunk. It is entertaining to try to read the T-shirts they are forced to change into. My favorite is the shirt that Grandma Lidia (Rose Portillo) has to wear which says, "Britney Spears Changed My Life." Another memorable moment is the interaction with the shop clerk, Claudio (Harvey Guillen). His reaction to the cursed idol was priceless and cracked me up. He is so dramatic and colorful. Everything he does is amusing, from putting on gloves to touch the idol to purifying the negative energy with sage once the idol leaves. He really adds some flare to the show.

The film's message is that if bad luck is all you look for, then you'll definitely find it - a positive mindset is everything. It also shows the importance of appreciating your heritage. This show is family friendly, but be aware there are some dangerous stunts and some bad language.

I give Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip 4 out of 5 stars and recommend it for ages 5 to 12, plus adults. It began streaming on Disney+ on Friday, March 28, 2025.

By Kinsley H., KIDS FIRST! Film Critic, age 13

The book, Alexander and the Terrible, Horrible, No Good, Very Bad Day was released in 1972 and in 2014, was adapted into a film, starring Jennifer Garner and Dylan Minette. Now, 11 years later, this sequel is being released and unfortunately, Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip doesn't quite have the magic that made us love the original so much.

Misfortune follows Alexander (Thom Nemer) wherever he goes - he was just born unlucky. When his mother Val (Eva Longoria), a magazine travel writer, gets a new assignment -- driving a state-of-the-art RV to Mexico -- and turns it into a family road trip, Alexander is absolutely convinced something will go wrong. The way he sees it, if he's going, how could something not? The night before the family is set to leave, Alexander finds an old idol in the attic that belonged to his great great grandfather. Alexander's grandfather Gil (Cheech Marin) tells the whole family the story of how the idol originally gave good luck but when it wasn't returned, that luck turned rotten. Alexander decides to take the idol along with them because perhaps it is what is causing the bad luck of the family instead of him and they could return the idol to Mexico.

I love seeing how Alexander and the Terrible, Horrible, No Good, Very Bad Day evolved to a whole series. I grew up with the original book and I watched the 2014 movie when I was younger and I was very excited to see this sequel. I also really like that they made the family Latinx this time. It gives the story a fresh face and lets viewers learn about other cultures, in this case the Garcia family is also Mexican. A huge part of the movie is the family connecting to their roots and even the actors have commented on how the film affected them in that way. On the other hand, one of the problems with the film is that it doesn't directly remind you of the book it's based on. Fans of the book know that Alexander's whole deal is that he was born unlucky and that his misfortunes, more often than not, bleed over to his family. The film doesn't address this and assumes audiences either know it or leaves it for them to figure it out. One of the first depictions of "bad luck" in the film is when Alexander's sister Mia (Paulina Chavez) backs into a fire hydrant while scrolling on her phone with Alexander in the passenger seat. Both Mia and Alexander blame Alexander and his luck, although it seems unrealistic to blame this incident on Alexander's bad luck. A family road trip where just about everything goes wrong is not a new concept. Less than ten minutes in, I was reminded of the film, RV. Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip is predictable and there's nothing unique about it. At the same time, it is a fun watch and, while the comedy falls flat here and there, it is a funny film.

The film's message is about luck. The movie naturally made me think about the nature of luck. There are people that believe in karma; people that believe in fate and destiny; people that believe luck is complete chance...and so on.

I give Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip 3.5 out of 5 stars and recommend it for ages 5 to 12 plus families. It releases exclusively on Disney+ on March 28, 2025.

The story follow two young girls, Astrid and Kristin, who are best friends. Kristin is moving away and the day before she leaves, Astrid is visiting her for a play date. Astrid fears that she will be left alone and that Kristin is her only friend. Kristin wants to play with Ken and Barbie, but her story is all about them buying a new house and moving away and Astrid wants none of that. An argument and disagreement finally bring about a resolution that works for them both.

This is so beautifully produced, from the camera work to the audio recording, the plot line and story development, and the acting by the two young girls. It really addresses a universal theme of losing your best friend and feeling left behind in such a way that it opens up the possibility of a discussion on the topic.

The film's message is about handling loss - which could be of a best friend who is moving away, or many other types of loss.

Ten-year-old Sophia is adjusting to life in Australia, caught between her own curiosity and the Greek superstitions her mother holds dear. After an innocent question about death is followed by a sudden family tragedy, she is consumed by guilt, believing she may be to blame.

The story follows a little girl and her pet fish and their somewhat complicated relationship. After a misunderstanding, she throws the fish into the river. Later, at dance class, she is remorseful and goes back to the river to find the fish again.

Well executed animation made of simple line drawings and minimal use of color. The storyline is a bit confusing and, had I not read the synopsis, it may have been lost to me. At the same time, it's compelling and thought provoking. Younger audiences would be confused by this, but older teens would enjoy it I believe.

The film's message is about the emotional bonds we form with the animals in our life.

The story is narrated by a female voice as she makes an omelet.

The animation of this film is quite simple and direct. The story is told through a female narrator who prepares an omelet and discusses the state of the world. Well delivered.

The message is about the similarities between making an omelet and dealing with the world we live in.

This animated short shows the effects of plastic in our lives by creating a Mandela of plastic articles used in our homes, our lives, our kitchens. At the end, it shows the negative impact on our environment from all this plastic.

This is a cleverly created short animated film that slowly builds a Mandela made of bits of plastic items common to everyday lives. The narration enhances the impact of the film, reminding us of where these things come from and how they are so prolific in their use across the world.

The film's message is about the overuse of plastic in our lives.

I give this film 4.5 out of 5 stars and recommend it for ages 5 to12.

This short animated film captured me from the get go, even as I was figuring out where it was going and what it was saying. It begins with a screen covered with words - too many words to read all at once because immediately it begins taking words away and as it does that your eyes and brain begin to see different word combinations and form new thoughts about them - distill, compress, breath, swallow, thing, ballad, riddle, void, start to... Then, words pop up onto the screen, forcing you to focus on them, and finally there is sound that accompanies the words - dreams, star stutter. I think about how all these words have meaning and the meaning changes from time to time.

The film's message is about the impact of words on us.

This animated short is a visual collage of images accentuated by a poem about a waterway that used to be and background sounds of water playing in a stream.

The soft colors of the film capture the essence of water in a constantly changing way. Water is always changing, from moment to moment. This waterway apparently has become lost in time but was once part of a bigger network of waterways. It reminds us that life is change. The narrator's voice as she reveals the poem is soft and alert.

The film's message is about change, like a flowing river.

The story follows two friends, Hugo and Tom, whose friendship is tested when Hugo gets superpowers after a skateboard accident and suddenly everyone wants to be his best friend. His popularity takes him away from his buddy, Tom, and ultimately, he realizes what is most important to him.

Very well produced - from the camera work, audio recording, editing, acting, and special effects. This is a story that perfectly explores the complex social world of middle schoolers. I love how all the kids get around on a skateboard, a unicycle, a scooter or some other form of personal transportation. The youth actors perfectly portray kids of this age and the dialogue is very believable. The background music is very suitable to the story and typical of what kids are listening to currently.

The film's message is about the importance of friendship and being true to our friends.

A Dragon's Flight is one of those rare films that takes a small, everyday moment and turns it into something deeply resonant.

The story follows seven-year-old Nico, who loses his beloved stuffed dragon on a bus--right next to a sleeping old man with an imposing presence. What follows is a quiet but powerful exploration of childhood fear, courage, and the way even the smallest challenges can feel monumental when you're young. The film brilliantly captures Nico's internal struggle, building tension in a way that feels both subtle and immersive. The cinematography enhances this, using tight framing and careful sound design to make the bus feel almost like its own character. There's very little dialogue, but every glance, hesitation, and breath speaks volumes. What makes A Dragon's Flight so compelling is its universal relatability. We've all been in Nico's shoes at some point--hesitant, overthinking, caught between fear and the urge to act. The film doesn't rely on grand, dramatic moments to tell its story; instead, it finds beauty in the quiet, in the way a child's world can be both small and enormous at the same time. If there's one minor shortfall, it's that the music is a touch too suspenseful.

A Dragon's Flight is a beautifully understated film that reminds us how courage isn't always about grand gestures, it's about the quiet, personal victories that shape who we become.

This feature length film tells the story of a young girl, Torsha, who comes from a privileged family, befriends a group of underprivileged children who live in a slum built on government land. Their community takes her in as one of their own. When the government makes a move to destroy their homes and kick them out, Torsha appeals to her dad, the District Magistrate, to stop the catastrophe and save their community.

This is a beautifully made film, with terrific camera work, audio recording, editing, and acting.

The girl, Torsha, is named after the prime river that runs through the West Bengal state and symbolizes support for its people. She lives up to her name by befriending children from the slums when the children from her own school won't play with her. She finds a new loving community there and discovers the extent to which poverty affects their lives - taking on teaching them how to read and write. Her father is an honorable man, and one inclined to fairness, rather than following political mandates. When he learns from her that her friends' houses will be demolished, things begin to change.

The film's message is about loving our neighbors and making things fair when they are not.

I give Torsha - The Name Of A River 4.5 out of 5 stars and recommend it for ages 8 to 12, plus adults.

The story follows a young girl from Qatar whose precious necklace is stolen by a mischievous parrot. She chases the bird into the wilds, and up a tree trying to recover her beloved possession.

An introverted Qatari girl ventures into a wild valley, risking her life to reclaim her precious necklace from a mischievous parrot.

I really love the animation in this film. The characters are quite adorable, especially the little girl, but the parrot is full of personality also. When it grabs her necklace from around her neck, the girl has no choice but to go after it and we watch her travel through forest areas and streams only to discover that the bird has taken her necklace high up in a gigantic tree. I love the colors of the film, there is no dialogue, but the pictures tell the entire story. The girl climbing the tree is perhaps something that kids might try to replicate but, let's hope they realize it's a fantasy. When she finally rescues the necklace it is broken and she cries. The bird realizes that it has made a mistake and brings her something to replace it, then rubs its head against hers in an effort to apologize. She climbs to the top of the tree and sees the how beautiful the world from up there. The bird sees the beach, flies down to the beach, the girl follows, and they find a pearl in a shell to replace her previous shell pendant in the necklace.

The moral of the story is that things aren't always as they seem and sometimes a mix-up can lead to something even better.

The story is about two friends, ages 15 and 16, who dream of venturing into the Middle East, and tell their stories today of their experiences from that time. It is based on the story of the director's British mother when she was 17.

The film's plot is very interesting and it connects generations. The friends, who are no longer young, tell stories about their adventures, which are somewhat magical. Something that caught my attention was the way in which the friends comment on the events, in a very relaxed way. That brought a smile to my face.

This film shows people from different cultures meeting - young English women visiting the Middle East in the 1960s - and relays their personal experiences of important events in world history. The camera work is beautifully executed with clear, high-quality images that really tell the story through its images. In addition to the older videos and photos in black and white, the film portion of the women telling their stories in present time is colored, which clearly shows which parts are from the past and which parts are from today. In this documentary, the women talk about themselves and their stories and they portray in detail their experiences. For example, they talk about their upbringing in London after World War II and the scarcity of amenities; in addition to archival photographic images used, how they speak and gesture about their experiences is personal and revealing. I love their description of the different cultures - the mods and the rockers, and how they dressed and behaved so differently. I also love how, as they set off for the Middle East, they didn't have a plan per se, they simply wanted an adventure. They end up traveling for three years! And commenting later about it, they credited their experience growing up after WWII to making them resourceful enough to make that work. For example, they hitchhiked everywhere. The older stories take place in London in the 1960s and the black and white footage shows the reality of what it was like back then. The background music and the sound effect fit the time period and locations. For example, at the beginning of the film, they use a song that is somewhat similar to the regional music style of the time and location. Later, in the Middle East, we hear sounds typical of the region. The Director, Sara AI Obaidly started her career as a landscape photographer and you can see the influence of her photographic eye on this film. My favorite part of the film is when the women get together to reminisce about their past.

The film's message is "we only live once; don't waste opportunities, because if you don't go with everything, you will not have stories to tell in the future." I love seeing the courage of these two young women pursuing their dreams.

The short film, created by a group of students, tells the story about a public pool in Vancouver, BC that was desegregated in 1945 to allow Blacks and Asians access.

The archival images tell the story along with its narration, based on a poem created from work by 27 fourth and fifth grade students. Its message about desegregation is poignant and relatable, especially in the moment of time we are living in now. The production values are serviceable - not great - but they do get the job done.

The film's message is about the history of segregation in Canada in the mid 1900s.

From Taiwan, this short film follows a young girl with a stutter who can't speak in front of other people. She forms a relationship with a soda bottle that she decorates and it helps her overcome her speech difficulties. At one point, she gets frustrated with the bottle icon and tosses it into the river, only to rescue it later.

Well produced, with excellent camera work, audio recording and editing. I can relate to the topic as I had a speech impediment as a child and felt ostracized for it, like many children do. The way that the young girl tackles it herself is inspiring.

The film's message is about self-acceptance and addressing your fears.

This is a coming-of-age story starring Filip Zareba as Sergiusz, a teenager whose favorite pastime is LARP (live action role play) with his friends, as he faces the challenges of growing up and following in love for the first time. The films follow Sergiusz as he addresses issues with his family, confronts his insecurities and overcomes his fears.

This is a lighthearted comedy with a few serious dramatic moments and shows a teenager dealing with personal challenges. Viewers may relate to the issues Sergiusz faces when discussing his hobby, LARP, with his family, who treat it as childish. Sergiusz' family's response to his hobby is something that most teenagers can relate to. Audiences may enjoy the LARP scenes, as it shows the characters having fun and shows how live action role play is an integral part of their lives and friendships. The plot of the movie is easy to follow and understand. Over the film's course Sergiusz overcomes his challenges and moves forward in his relationships with others, especially his father. We can relate to Sergiusz as he faces his family and deals with his difficulties maintaining relationships with friends. The dialogue is in Polish and subtitled in English; it is easy to understand. One thing I found unappealing is the relationship between Sergiusz and Helena. She never properly apologizes to Sergiusz or confesses to the principal that she lied to protect Gonzo and his friend from punishment. Visually, the film excels, especially in the LARP scenes that are prominently featured. There is lots of attention given to costume design and makeup. In the beginning, there is a LARP scene and, if the viewer did not know the movie's theme, it could be misinterpreted as a fantasy action film. The film uses special effects sequences as metaphors to illustrate the characters' feelings. For example, in one scene Sergiusz walks Helena home after meeting her in the library, then he floats back home, illustrating how he feels light as air. The film's coming-of-age theme is well delivered, as is the LARP theme which may encourage viewers to look into LARPing, fantasy and sci-fi role play, as it is portrayed as a healthy and enjoyable activity. The film also addresses family trauma, as Sergiusz and his father confront their pain and grief stemming from Sergiusz's mother's death. It shows why communication and listening to family members is important for understanding them and being able to move on from trauma.

The film's message is that being your own person is not only important but also essential for understanding oneself. It also emphasizes the significance of understanding other people and learning how to maintain and strengthen your relationships with them. Be aware that there is profanity (including the F word), scenes of violence, partial nudity, and a sex scene.

The storyline follows a young boy, Pablo, who cares deeply for his hen, Pascualina and collects her eggs daily to help his mother pay off a debt. Enroute with a basket full of eggs to pay Don Chucho, Pablo falls and all the eggs are smashed. Don Chucho holds Pascualina hostage until Pablo can replace the promised eggs. Dejected, Pablo comes across a group of kids and is challenged to a spinning top game, which he wins. Unfortunately, his prize -- a carton of eggs -- is withheld, but fortunately, the other kids rally to make up for the lost eggs, each donating two eggs until Pablo has enough to pay Don Chucho and rescue Pascualina.

This is life in a simple village and a simple story of a boy, his hen, and the ups and downs of delivering eggs to pay the piper. It is told in a straightforward way, that brings out the beauty of the village and the interconnectedness of its residents. I commend writer / director Luber Yesid Zu�iga Ordo�ez for delivering a beautiful film. The camera work, the audio recording, the editing are all top notch. The cast is quite wonderful and believable. Young Thomas Ramirez Alvarado, who plays Pablo, definitely steals the show. But all of the secondary characters are equally well played.

The film's message is about community and helping each other.

The short film, made by a high school student, is about a group of African American middle school students, once bitter rivals, who visit an historic house from the Jim Crow South and discover a Black History themed card game that is full of surprises and mysteries. After a few questions, they discover that, if they answer incorrectly, they will vanish. After three people vanish the last two hunker down to not miss any answers and miraculously win the game.

Kudos to writer and director Anna-Korina Meier for a great script and terrific student film. This film is full of secrets, knowledge and surprises. The script is well written and the story captured my attention from the very beginning. The actors definitely give it their all. The two who survive the "vanishing" bit stand out for their performances. But all of them come across as real, even when they are arguing. My favorite part is when the kids are playing the game and one by one they start to disappear. That sparked my curiosity and I couldn't wait to see how it played out. The background music definitely stands out and adds to the mysterious element. At the end of the film, the kids who had not gotten along previously, reconcile and recognize what really matters. It cracked me up when their "guide" reappears at the end, acting as if nothing had happened, and the kids went along with it as well.

The film's message is: don't create problems over things that are not important and value your own story.

This is a 3D animated adventure film. The storyline centers on a young boy, Sepehr, and his loyal cheetah, Baboo and their quest to save his parents from Ahriman, the dark lord of evil. The story follows the boy and Baboo's adventure and the people they meet along the way. The film is from Iran, with dialogue in English.

The Legend of Sepehr is a complex story, with a lot of detail - from the various locations, to all the people. The plot develops well, with decent foreshadowing. You really have to pay attention in order to stay up with all that's going on. In the beginning Sepehr's mother is telling young Sepehr a story about a ruler with two sons and how the eldest son, after being passed over for inheriting the throne, turned to evil, raised an army of demons, was imprisoned and later escaped. She promises to tell him the end of the story later. Sepehr discovers the other part of the story when heading back to his village after a fishing boat accident. He learns how Ahriman was freed by his demon army and returned to conquer his father's kingdom. We watch Sepehr grow during the course of the film as he travels far and wide across many landscapes and through the worst kinds of weather, accompanied by his faithful cheetah, Baboo. Ultimately, despite his fears, he undertakes a quest to defeat Ahriman and save his parents. He learns that love and faith are what conquer evil, and harnesses his family's love to defeat Ahriman. When Ahriman taunts him, he bravely states, "I don't care who you are or what you've done; I will save everyone," demonstrating courage in the face of evil. The content is suitable for kids and families and the story is easy to follow. The animation is well made and is consistently detailed throughout. It is clear that a lot of work went into making this film.

The film's message is that family is important and the love of one's family can motivate a person to go above and beyond what they think they can do. It promotes the concept that bravery and love triumph over evil, a lesson that young audiences can relate to.

The story follows two boys who are waiting after school for their parents to pick them up and apparently, it is not unusual for their parents to be late. The plot twist at the end is everything.

This is a well-produced film that in 3 minutes makes a big statement about compassion and kindness. The camera work, audio recording, and editing are excellent. The two actors that portray the boys are typical of boys this age. The dialogue is in Persian with English subtitles. The best part is the end when we realize why one of the boys was waiting with the other and see his compassion and kindness as his motivation.

The message is about taking care of others, even when it may take time away from other things.

The animated story, narrated by a child, follows a group of penguins who are learning how to swim with their clothes on.

These penguins represent young children who have come to the Netherlands as refugees from different countries and are doing their best to acclimate to their new environment. Change is difficult in anyone's life, and I love how this story focuses on something that might seem natural to Dutch children, but for these immigrants, is a challenging hurtle to overcome. Perhaps it is the culmination of so many other changes they are required to make as their conversations reveal. And I am constantly awed at the resilience of these young people, as well as their parents, at their ability to adjust to a new culture. I love the presentation of this film - from the animation, to the dialogue, to the background music. It is calming and reassuring and yet, doesn't wander from the importance of the subject, which is beautiful. Kudos to filmmaker, Daphna Awadish, for her thoughtful film.

The film's message is about resilience and perseverance.